‘As a writer, what you leave out says as much as what you put in.’—Jeanette Winterson — Lying in the hotel room—white walls, painted beams and sheets—feeling sick with nerves, scribbling questions in the margins of questions. Jeanette Winterson, so far away from me in the Opera House that I cannot make out her face. … Continue reading Fragments from the Sydney Writers’ Festival 2012
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Don DeLillo’s Point Omega
Point Omega Don DeLillo Picador, 2010, 9780330512381 (buy Aus, US/Kindle) I’ve been ‘doing’ a few American writers of late. Loved my first encounter with Michael Chabon, in A Model World – he’s a master of beginnings and endings in those short gems – and will follow-up someday with The Amazing Adventures of Kavalier and Clay and … Continue reading Don DeLillo’s Point Omega
Turbulence
A conversation with the self: ‘Here we go.' 'Of course.' 'It’s normal, don’t worry’. 'But this swoop in my chest!' ‘It’s just anxiety, you’re dizzy, it’s nothing. It’s just a bit windy out.’ ‘But what of this pressure. I have no control. I can’t feel my face. Oh God.’ ‘When you think about it, it … Continue reading Turbulence
Meeting Alex Miller part three: on cross-eyed novels, the time we have, and liberties of language
See also – part one: on the origins of a contemporary story and part two: on wisdom and imagination. My feature interview with Alex Miller on his new novel, Lovesong (Aus, US), was published in Readings Monthly. You can find it here. When asked what his favourite is of all his novels, Miller smiled and … Continue reading Meeting Alex Miller part three: on cross-eyed novels, the time we have, and liberties of language
Avatar: a mash-up
This piece is a mash-up of an undergrad essay from a couple of years ago, plus present thoughts, imaginings and speculation on the narrative of self in a virtual environment. Storytelling is as old as humanity. The human has always actively projected him/herself into realms of fantasy (through song, art, drama, writing). Modernity advanced the visual aspect … Continue reading Avatar: a mash-up