Typecasting and narrative voice at the 2011 Emerging Writers’ Festival

The Emerging Writers' Festival, in its usual form, has thus far been about tequila shots and one long drunken conversation about The Wall. Yesterday I went to some actual sessions. Here's a write-up of two of those. Typecast The first session I attended yesterday was all about 'typecasting'. Do the authors on the panel agree with … Continue reading Typecasting and narrative voice at the 2011 Emerging Writers’ Festival

Guest review: Greg Westenberg on Maxine Clarke’s Gil Scott Heron is on Parole

  Gil Scott Heron is on Parole Maxine Beneba Clarke Picaro Press Reviewed by Greg Westenberg The rhythm: insistent, consistent, beat-heavy in places but with enough sunlight in the words to take us out of the club, into a community’s irregular syncopation; the rhythm, that I couldn’t always get (white boys, everybody knows it, can’t … Continue reading Guest review: Greg Westenberg on Maxine Clarke’s Gil Scott Heron is on Parole

Brethren is one of my favourite words (but that has nothing to do with Peril, my best books of 2009, Kafka's diary, or an Overland blog guest post)

* This week I went to the launch of Peril, edition 8: 'why are people so unkind'? It featured readings, and a fun, sexy performance by Ladies of Colour Agency that made me want to get up an shake it, baby. Maxine Clarke, who performed her poetry, gives a very warm of a rundown of … Continue reading Brethren is one of my favourite words (but that has nothing to do with Peril, my best books of 2009, Kafka's diary, or an Overland blog guest post)