Review of Janet Frame’s In the Memorial Room for The Australian

in the memorial room janet frameJanet Frame is one of my all-time favourite authors. Her writing is surprising, absurd, knowing, funny, sad, dark, moving, imaginative and honest. She was an incredibly hard-working writer, often having to work in uncomfortable or strange conditions (while overcoming much personal tragedy). I’ve read quite a few of her novels; plus her short fiction, her poems, and her memoirs, and when I heard about the novel to be posthumously published, In the Memorial Room, I had to have it.

I was also glad to review it for The AustralianIt felt like a weighty task, in some ways, to review the posthumous novel of (arguably) New Zealand’s most famous author, for a national newspaper. But it also wasn’t difficult because as soon as I began reading the novel, it was like sitting down very comfortably with an old friend; a very smart, witty, entertaining old friend. And I felt confident that I was a good listener for her.

It’s different than many recent posthumous novels, too, as it was intended for publication after her death. It’s not one of those cases where the executor has failed to burn the manuscript, resulting in questions around literary ethics. This book is, instead, quite perfectly posthumous…

The review begins:

In the Memorial Room is not just a brilliant novel but a considered and poignant posthumous literary act, a curtain call by one of the world’s greatest authors, New Zealander Janet Frame, who died in 2004.

It’s the story of a young author of historical fiction, Harry Gill, who receives the Watercress-Armstrong Fellowship, allowing him to work in Menton, France. Harry has taken the fellowship despite the fact his sight seems to be failing.

Please click through and read the rest here.

Amsterdam

My travel story/memoir ‘Amsterdam’ won the Australian Festival of Travel Writing 500 word short story comp and was published in the April issue of The Victorian WriterWriters Vic have kindly allowed me to reproduce the story here. I hope you enjoy it.

amsterdam moetAmsterdam

My last week in Europe. All the dorms at the hostel are full, so I’ve been placed at the top of a tight, winding staircase in a tiny attic room sliced in half by the roof.

I sit at the bar alone, trying to own the romance of loneliness. For the rest of the month I’d thrived on being alone, even trying for days to shake off Brisbane-boy who followed me from Venice to Vienna.

Maybe it’s because I’m so close to going home.

I look around the bar, my stomach twisting, annoyed at my own desperation (‘but you love being alone’, I remind myself) until an olive-skinned young man comes over to talk to me. His name is Fadil and he’s from Cairo. He produces a cartoonishly large, cigar-shaped joint from his pocket and asks me if I’d like to join him. We go up to the back of the bar, and smoke and talk. He answers his phone a few times, displaying his popularity, then invites me to hang out with him for the night. I’m relieved and grateful.

We enter a pool hall above a café, filled with smoke and Arab men. Fadil doesn’t play but needs to check in with about eight different people. I stand back shyly but not too awkwardly, relaxed by the drug.

Next we walk down an alleyway and Fadil presses a buzzer on a metal door. Someone draws back a flap, like in the Wizard of Oz when they reach the Emerald City. A fat man in sequins lets us in and leads us ‘darlings’ to the upper level (past rooms cordoned off with cherry-red velvet drapes). The nightclub has one long, elevated lounge around its sides and café tables and chairs on the dancefloor. The music is slow trance and there are arty white-light projections on the walls. The people around the edges have bare feet and bottles of Moet in buckets. I think one of them is Ralph Fiennes. We sit at a table and chair, exposed, and I order a glass of Moet from a menu, because I never have.

The next day Fadil and I eat among Kama Sutra tapestries in an Indian restaurant. He pokes at his phone during dinner, frowning and complaining about having too many friends. It is as though he’s complaining about having to be with me. I have not risen to the top, the cream of his many acquaintances. I have not passed some invisible test. I feel underappreciated and disappointed, so I fight the terror of loneliness and leave him to the rest of them.

That night there are such storms over Europe: rib-cracking thunder and the sky swirling, like Van Gogh’s starry night without the light. The anxiety of the possibility of flight cancellations compounds my melancholy and I drink, alone in my hovel, until I feel sick.

On the last day of my trip I take 80 self-portraits with wax figures at Madame Tussaud’s.

Ams 1Ams 2Ams 3Ams 4

Qantas SOYA Written Word: my last chance…

It’s my last chance to enter the Qantas Spirit of Youth Awards as next year I turn 30 (and if I’ve read correctly, you can’t enter in the year you turn 30, even though my birthday will be after the comp ends). I won’t be a ‘yoof’ anymore…

You might remember that I was Highly Commended in the Written Word category last year. Yay! Well since then I’ve done a lot more writing and I’ve changed direction a little bit (with a strong focus on flash fiction). Hopefully I’m in with a chance. If you’d like to go and read some of my writing, and ‘like’ and share my profile page, that would be awesome.

If you are under 30, you should also have a go!

 

Enter the zone! The Carmel Bird Short Fiction Award 2013

Burgess_Meredith_The_Twilight_ZoneI’m very, very excited to announce that this year I am judging the Carmel Bird Short Fiction Award for Spineless Wonders. The winner and shortlisted stories will be considered for publication in the Spineless Wonders annual anthology, which I have already been putting together, and trust me, you want to be published alongside these writers! The winner will also receive $500.

Entries close on 31 July 2013. Please read the submission guidelines very carefully, and do not send stories directly to me. I will be reading them blind.

So what’s the theme?

A woman driving across country sees the same hitchhiker again and again; another woman takes an elevator to a strange, deserted floor of a department building to be sold a busted thimble by a mannequin; the people on a quiet street begin to accuse each other of being aliens after the electricity goes off… these are some of the (trademarked) adventures in the realm of The Twilight Zone.

Watching and being spooked by these stories is a child in a lounge room at the bottom of the world. The settings are familiar, but also slightly strange. The child is used to these accents (except perhaps the way the presenter, Rod Serling, says Zyone) but it is not the way she speaks. She has heard that the water in her toilet even goes in a different direction. She suspects that, on this side of the world, they may be closer to the Zone than anyone suspects.

The ‘fifth dimension’ of The Twilight Zone, Rod Serling often said, was also the realm of imagination. And as anyone blessed/cursed with a good imagination may know, fear of the unknown or the inexplicable may not only keep you awake at night, but may compel you to write. Serling, and other writers on the show, developed frightening scenarios, and often with more than entertainment in mind. Episodes of The Twilight Zone are often metaphors for equality, justice, the nuclear threat and more. Though they are just as often pure, spooky fun.

You are being invited into the zone. You are invited to be inspired by it, by its mood, themes, characters, settings, symbols, liberal ideas, strangeness and openness; but you should also ponder the zone in relation to your own particular context. This competition invites zone-style, or zone-inspired stories from the bottom of the world. The ensuing collection will acknowledge the undeniable cultural influence of memorable American programs like TZ on our lives ‘down under’, but it will also engage with the way we appropriate the messages within them in our own context, and our own lives (and in regards to our own ‘uneasiness’). Your story can be set in any era, and any place (though our rich and varied landscape could provide so many great potential zones).

I’m looking forward to reading your stories…

Explaining myself and my many hats

Aside

I was recently asked to write a blog post for Collaboration, the blog of the Book Industry Collaborative Council (BICC), explaining what I do and how I came to be involved in so many different facets of the book industry. It took me a while, as it felt strange to ‘explain myself’! If you are curious about how I got to be an all-rounder, though, in terms of books and writing, you may like to have a read.

Flash fiction published in Tincture!

tinctureI’ve recently had two flash pieces published in new e-journal Tincture, titled ‘Apocalypse’, and ‘Glitch’, both stories in the absurd vein, set in offices.

You can buy it here for $8, in many different formats (DRM-free). All proceeds go to paying the writers. See the full list of contributors here. I’m pretty excited to be published alongside Sam van Zweden, one of my favourite bloggers.

Hope you enjoy!

After you’ve had a read, you might want to submit.

I’m baaaaaack & upcoming events

Having a month off social media was wonderful, I’d highly recommend it. I was able to work on many different projects without distraction (and without comparing myself to others so much). Despite thesis and job-searching stress, my mind felt calmer, and I was able to concentrate for longer stretches. Most of all, as I’d intended, I was able to have a good think about the role social media plays in my life (and my career). And I’ve decided that participating in social media is beneficial to me, but it’s not essential. I really enjoy the interactions I have with friends and like-minded people through blogging, Facebook, Twitter etc.—I certainly missed the status updates of specific people—but I can also live a perfectly happy, fulfilled life without being constantly connected.

LiteraryMinded still plays a role in my career, which is wonderful, but I’ve realised that I’ve published and presented enough on- and off-line that even if I curtail my social media use, I won’t be missing out on any opportunities. So I’ll be writing just as much, but across the board: pieces online and for print media, and much longer pieces that will surface at some point in time.

The thesis is… getting there. And I’ve been very busy besides. You may have seen my piece in Crikey about David Bowie’s new song (which I am intensely excited about). I’ve also interviewed Graeme Simsion, author of the charming romantic comedy The Rosie Project, for The Big Issue, that’ll be out next Friday (8 Feb). You can also catch Graeme Simsion and I in conversation at Readings in Carlton next Thursday (7 Feb) at 5:30.

This year I’m running the Dog’s Tales storytelling events at Dog’s Bar in St Kilda! The first one is this coming Monday (4 Feb), featuring Meg Mundell and David Sornig. It’ll run monthly from then on (all the details are here). Come along, have a drink, and listen to some great writers. There’s also a short open mic slot at each event, and you must register your interest in advance. You can do that  by emailing me: literaryminded at gmail dot com.

The programs are out for the Perth Writers Festival, and the Bellingen Readers and Writers Festival. I’m chairing events at each of these lovely festivals, and I’ll also be giving a blogging workshop on the Sunday (24 Feb) in Perth.

I’ll be teaching a two-day course on blogging and social media for beginners at the NSW Writers’ Centre in April. It was great fun last year, and some wonderful blogs came out of it. Doing it over two days gives the students time to play around during the course and ask me lots of questions, which really works.

Phew! I’ve been saving that all up. I hope you’ve all had a nice, relaxing and productive month. See you when I see you.

New York, Noo Yawk for Killings

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I wrote a piece for Killings (the blog of literary magazine Kill Your Darlings) on my eventful trip to New York City. It begins:

Like Loco, Pola and Schatze I was drawn to New York City to find a millionaire playboy. Wait, that’s not right. But in my nine days in NYC I did sometimes feel that I was acting a part in a movie. The island of Manhattan itself feels elevated somehow, surreal. In my photographs taken from the Brooklyn Bridge the city has a certain cardboard cut-out effect. I ran into the cultural ghosts of Ninja Turtles in Chinatown, Dana Barrett on Central Park West, King Kong on top of the Empire State Building, and Joe Buck next to a neon sign.

But the city is not elevated, isolated, a movie set. While I was there, very real events were occurring, and had occurred. People were affected by these, not just in New York, but around the world. So the city to me was both a hyperreal version of itself (and a trip often glosses over like a dream afterwards, too) and a place where, of course, people breathe and bleed.

I hope you’ll enjoy the rest by clicking here.

Perth Writers Festival 2013

Aside

I’m extremely pleased to be invited back to the Perth Writers Festival in February 2013. The full program will be released in January but you can view a list of writers who will be attending here. It includes Margaret Atwood, Kunal Basu, James Meek, Anna Funder, Isobelle Carmody, Lawrence Norfolk, Anne de Courcy, Michael Leunig, China Mieville and tons more. Hope to see you there.

New flash fiction

Greetings from post-blizzard New York City!

I’ve really been getting into writing flash fiction, or micro-fiction, lately. It’s fun to try to give a strong impression of a scene, a story, in few words. And other people seem to like my super short pieces too. Seizure has just launched a flash fiction section of its website, Flashers, and my story ‘My Sweetheart Saw a Child’s Face in the Train Window‘ is the first one up. I hope you enjoy reading it.

Do also check out the submission guidelines.

I also recently had two super-short stories published as part of the London Literary Project. It’s first challenge is based on the London Clock. One of my stories is set at the Green Park Tube Station, and the other features George Orwell. I’m happy to be involved in such an interesting project.

The London Clock submission guidelines are here.